the world of rob ryan
this is intricate world of rob ryan. how extraordinary that almost all of his work is cut out on delicate fragile pieces of paper
this man’s talent is so oh my god, where do you even start? we live in a world where so much of what we see of art and think of art has been duplicated and replicated to the point whereby you go- i have seen that done a million times!! but somehow you could never quite say the same about robert’s art. there is a subtle quality whereby you know that you can’t copy his work blindly because each piece is imbued with so much intricacy and effort. yes, effort is the word i am looking for the world lacks so much of it.
i have been so fortunate to have been asked by a friend of mine to help her company do some copywriting on this project ( it’s highly secretive now because i am not supposed to talk about it now) and the next thing you know – i found myself researching and gorging down with unfounded excitement all of rob ryan’s portfolio and previous projects.
known as the edward scissorhands of today, rob ryan has been fascinating the world for quite a number of years now. most well known for his outstanding work in vogue magazine – the paper cut dress caused many readers’ jaw to drop in awe.
i was reading his blog and what he wrote really spread a big wide grin across my face and made my day!!! thank you rob!!
Were you the kind of child that ate your way all around the edge of the hole in the middle of a biscuit bit by bit with tiny teeth in little nibbles? – yes, i was and i don’t think i was alone. where were you rob?
Were you the kind of child who spent much more time drawing margins and making multi-colored borders and underlining the titles and subtitles of your homework than ever actually doing it?
I was always busy jumping over and around the cracks in the sidewalk, and I looked up at the spaces in the sky that lay between the shapes made by crisscrossing telephone lines and power cables waiting for a jet plane or a bird to pass perfectly into the centre of the frame that I had created in my head. At that instant, I shut my eyes as if they were a camera shutter and captured that moment and made it mine – i didn’t do that but i used to play this game of sitting in the field and asking my friends – what does this cloud remind you of?
I do like this whole paper-cutting thing.I like the fact that I don’t need paint or brushes or water or oil or palettes or canvas, just a piece of paper, a knife, and a pencil [and a rubber (eraser)!]. So much less—less mess, less waste, less stuff. More time—more time to say the things I have to say without detail getting in the way. No adding on of paint, layer after layer—no more never quite knowing when to stop. Only taking away and taking away, first of all, all of the holes from the middle of all of the doughnuts in the world, and then the tiny slivery gaps that exist in the spaces in some lovers’ entwined fingers, or maybe that tiny little island of nothingness that lives between two pairs of kissing lips. And then a bigger hole that really is the entire sky, and so on and on until all the gaps fill up and slowly become the solidness that is the world we live in that somehow lies between – big big grin. when people are in their element it always shows and their work speaks volume
thank god for people like rob ryan. life can be so banal because we live in a mass-produced society. everybody wants a template to do something because we are expected to produce a standardized level of work. sometimes i think, maybe life was more fun a 100 years ago when most of our biggest discoveries happened throughout different stages of trials and errors and sometimes even as a direct result of an accident.
for more on rob’s work, please go to mister rob